Dear b0b, Excellent website! I think Tommy White’s E9th Copedent RKL has an error. Low B should also drop down to -A#/A like string 5. The great Tommy himself says so on your website here: Topic: Tommy White’s Carter D-10; TW Posted 10 Dec 2013 12:32 pm – link: https://bb.steelguitarforum.com/viewtopic.php?t=256741
I have a Bennett D10 8+6 (stereo into JBL U/L Fender Twin Reverb & Peavey Session 500) with Emmons style setup E9 & C6 but with RKL/G lever raising both F#s to G/G# & D# to E.
I noticed because I’ve put a similar B to -A#/A change on mine except on LKV/X/J, extending the 5 & 10 typical B to -A# lowers down to A. This works great for me even combining with B pedal together with E or F levers all on left leg! I also put 6 G# to F# on RKR/D which also splits to G with B pedal for open Em, A7 etc. (which may reduce the need for the 7 F# to G change which I have doubling to G# an octave below the 1st string). I put this 6 lower together with the 2&9 lowers to C# on RKR/D for split Franklin pedal sound. They also seem to work together marvellously so far (without adding more pedal/levers/complexity)… I think I’ve found the ultimate copedent (until somebody puts me straight) haha!
Cheers
Trevor Marshall (from UK)
Great website. Thanks for sharing the knowledge.
Jeff
Dear b0b, Excellent website! I think Tommy White’s E9th Copedent RKL has an error. Low B should also drop down to -A#/A like string 5. The great Tommy himself says so on your website here: Topic: Tommy White’s Carter D-10; TW Posted 10 Dec 2013 12:32 pm – link:
https://bb.steelguitarforum.com/viewtopic.php?t=256741
I have a Bennett D10 8+6 (stereo into JBL U/L Fender Twin Reverb & Peavey Session 500) with Emmons style setup E9 & C6 but with RKL/G lever raising both F#s to G/G# & D# to E.
I noticed because I’ve put a similar B to -A#/A change on mine except on LKV/X/J, extending the 5 & 10 typical B to -A# lowers down to A. This works great for me even combining with B pedal together with E or F levers all on left leg! I also put 6 G# to F# on RKR/D which also splits to G with B pedal for open Em, A7 etc. (which may reduce the need for the 7 F# to G change which I have doubling to G# an octave below the 1st string). I put this 6 lower together with the 2&9 lowers to C# on RKR/D for split Franklin pedal sound. They also seem to work together marvellously so far (without adding more pedal/levers/complexity)… I think I’ve found the ultimate copedent (until somebody puts me straight) haha!
Cheers
Trevor Marshall (from UK)